![]() ![]() Our used truck inventory might be a good fit if you need a ruggedly powerful truck. Explore Popular Used Trucks in Our Dealership With a spacious and comfortable interior, a durable and powerful engine, an ample trunk space that can fit three large suitcases, and an easy-to-use navigation system, the used Chevrolet Trailblazer offers an excellent all-around SUV experience. If you are looking for a functional and comfortable SUV, consider a used Toyota Sequoia a great choice. The used Nissan Rogue offers a sporty interior design, ample cargo space, good fuel economy, and powerful engines, making it an excellent choice for drivers of all kinds. Our used SUV inventory includes a variety of popular models like the Nissan Rogue, Toyota Sequoia, and Chevrolet Trailblazer. These are only a few of the excellent selections you might find at our dealership. With its energy-efficient body and powerful engine, this vehicle is one of the more efficient cars on the road today. The used Nissan Leaf is an excellent choice for drivers who want a green car with zero emissions. The used Chevrolet Malibu is a reliable car with great value and a nice ride that won't break the bank. With its stylish interior and spacious trunk, the used Toyota Camry is a great choice for drivers in Tampa who want a reliable and durable car. If you are looking for an affordable used sedan that is fun to drive, the Volkswagen Jetta offers a lot of bang for your buck. A used Honda Accord that you might find in our dealership is a great option for a wide variety of drivers, such as those looking for a car with an eye-catching exterior design, excellent fuel economy, and powerful performance. Our dealership is proud to offer a variety of popular used sedans, such as the Honda Accord, Volkswagen Jetta, and Toyota Camry, among many others. Various car makes are available in a wide range of models, trims, and price points. Commercial Trucks Commercial Vehicle News Schedule Commercial Service Commercial & Work Truck FinancingĮxplore Popular Used Sedans in Our Dealership Near Palm Harbor, FL. ![]()
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![]() ![]() Nowak states the dietary characteristics are primarily carnivorous as well as partially omnivorous. The Dire Wolf's teeth were similar to the Gray Wolf's, only slightly larger, pointing to a hyper carnivorous to mesocarnivorous activity. Dire Wolves also had shorter fur than gray wolves.Ī Dire Wolf skeleton found at the La Brea Tar Pits Dentition The legs of the Dire Wolf were proportionally shorter and sturdier than those of the Gray Wolf, and its braincase was smaller than that of a similarly sized gray wolf. Despite similarities to the Gray Wolf, there were significant differences between the two species. The Dire Wolf was larger than the Gray Wolf, averaging about 1.5 meters (5 feet) in length and weighing between 50 kilograms (110 lbs) and more than 79 kilograms (174 lbs). Linck at the mouth of Pigeon Creek along the Ohio River near Evansville, Indiana The first specimen of a Dire Wolf was found by Francis A. Approximately 10,000 years ago the Dire Wolf became extinct along with most another North American megafauna The Dire Wolf was one of the abundant Pleistocene megafauna-a wide variety of very large mammals that lived during the Pleistocene. Dire wolves and Gray wolves coexisted in North America for about 100,000 years. ![]() It was once thought that Aenocyon dirus was a relative of the gray wolf and sister species, but in 2021, evidence was shown that it was actually part of a now extinct clade native to the Americas that diverged after Cerdocyonina, but before the other members of Canina. Life restoration of Dire Wolves ( Aenocyon dirus) fighting off Gray Wolves in Southwestern North America ![]() The Dire wolf was once thought to be the largest species of the genus of Canis known to have existed, though genetic analysis in 2021 strongly suggests it belongs to its own genus Aenocyon, showing that its similarities to true wolves were merely a case of convergent evolution.Įcological factors such as habitat type, climate, prey specialization, and predatory competition have been shown to greatly influence gray wolf craniodental plasticity, which is an adaptation of the cranium and teeth due to the influences of the environment.ĭire wolf remains have been found across a broad range of habitats including the plains, grasslands, and some forested mountain areas of North America, the arid savannah of South America, and the steppes of eastern Asia.ĭuring the Quaternary extinction event around 12,700 YBP, 90 genera of mammals weighing over 44 kilograms (97 lbs) became extinct. Dire wolves are iconic beasts a recent study of Dire wolf genetics has startled paleontologists: it found that these animals were not wolves at all, but rather the last of a different canine lineage that evolved in North America.įrom the 1850s, the fossil remains of extinct large wolves were being found in the United States, and it was not immediately clear that these all belonged to one species. They may even have had larger packs than modern wolves.ĭire Wolves Were Not Really Wolves, New Genetic Clues Reveal. Aenocyon dirus disappeared with the extinction of the megafauna about 10 thousand years ago. Dire Wolves were theorized as being social as gray wolves based on the fossil recoveries, among the subfamilies of the wolf (Caninae). In general, the skull of this species looks like a very large canine skull.īeing stronger, heavier and therefore more powerful, they could hunt very large prey, like the ice age megafauna, while lightly built gray wolves generally attacked the smaller prey. The molar teeth of the predator were more massive in comparison with those of modern wolves. Generally, Dire Wolves were different from grey wolves. Homeland gray wolves were Eurasian, and the "Dire Wolf" is a type formed in North America. Morphologically, Dire Wolves were similar to wolves, in anatomy, but these two species are not as closely related as it may seem at first glance. The Dire Wolves were the size of the largest eurasian wolves ( Canis lupus) and weighed, depending on gender and individual differences, 55 to 80 kilograms. They lived alongside another megafauna such as the Short-faced bear, Mammoth, and Smilodon among others.Īenocyon dirus meaning "Terrible Wolf" was one of the largest canines that ever lived on Earth, and also one of the largest representatives of the subfamily of canids (Specifically the subfamily of Caninae). The Dire Wolf ( Aenocyon dirus) is an extinct carnivorous mammal of the genus Aenocyon and was most common in North America and South America from the Cenozoic Irvingtonian stage to the Rancholabrean stage of the Pleistocene epoch living 1.80 million years ago – 10,000 years ago, existing for approximately 1.79 million years.
![]() ![]() ![]() Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.) Filing date Publication date Application filed by Guilin University of Technology filed Critical Guilin University of Technology Priority to CN 200510053373 priority Critical patent/CN1298635C/en Publication of CN1718545A publication Critical patent/CN1718545A/en Application granted granted Critical Publication of CN1298635C publication Critical patent/CN1298635C/en Status Expired - Fee Related legal-status Critical Current Anticipated expiration legal-status Critical LinksĬhromium sulphate is a kind of main raw material in the trivalent chromium electrodeposited chromium, and environmental pollution is less, reaction conditions is gentle, electrolytic efficiency causes people's very big concern than advantages such as height owing to it has.But because the chromium sulphate price is higher, and market supply deficiency.And chromic anhydride purity height, ample supply of commodities on the market, price is cheaper, thereby obtains trivalent chromium source can yet be regarded as a kind of economy, method fast and efficiently with reduction chromic anhydride method.At present, reduction chromic anhydride reductive agent commonly used has FeSOĢ, hydrazine hydrate, sucrose, methyl alcohol etc.But these method of reducing often exist introducing harmful ion, reaction to be difficult to control, use the defectives such as gas that environment had pollution, are difficult to satisfy the requirement in electrodeposited chromium source.The method research for preparing chromium sulphate about formaldehyde reduction chromic anhydride is not reported.Ģ. Original Assignee Guilin University of Technology Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.) ![]() ( en Inventor 钟福新 杜荣斌 李晓菲 Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.) Expired - Fee Related Application number CN 200510053373 Other languages Chinese ( zh) Google Patents CN1298635C - Method of preparing chromium sulphate CN1298635C - Method of preparing chromium sulphate ![]() ![]() ![]() The following files/folders of EyeConnect, you need to use “rm” command to delete on the Terminal. Locate any folders that are named the following names and drag them to the Trash. if user password is required, enter it.ĥ.Then, hold an Option key while the Finder’s Go is being selected. Find the EyeConnect icon, right-click on it and select Move to Trash. Switch to the Finder again and select Go -> Applications from the Finder menu. On the main window of Activity Monitor, find the entry for iTunesPlugin, iPhotoPlugin, PictureTCPlugin, FilesystemPlugin, EyeTVPlugin, EyeConnect, AudioTCPlugin select them and click Quit Process.Ĥ. ![]() Locate the Activity Monitor icon and double-click on it.ģ. Switch to the Finder and select Go -> Utilities from the Finder menu.Ģ. The steps listed below will guide you in removing EyeConnect:ġ. Use manually removal solution to remove EyeConnect in your macOS EyeConnect will be automatically and completely removed. Click “Run Analysis”, and then “Complete Uninstall”. EyeConnect icon will be displayed on the Apps listview of MacRemover, and click on it.ĥ. EyeConnect software enables your UPnP AV digital media device to stream EyeTV recordings, digital photos, music and movies from your Mac onto your TV or. Was this article helpful 16 out of 31 found this helpful. It is a completely separate product from our EyeTV line of products. Locate the MacRemover icon and double-click on it.Ĥ. Elgato Video Capture works with the included Elgato Video Capture software. The Elgato EyeConnect is a UPnP (Universal Plug n Play) streaming media server. Switch to Finder and select Go -> Applications from the Finder menu.ģ. Find the EyeConnect icon, right-click on it and select Move to Trash. Use automatically removal solution to remove EyeConnect in your macOSĢ. Gekko ® is a field-proven flaw detector offering PAUT, UT, TOFD and TFM through the streamlined user interface Capture. Video: How To Automatically Remove EyeConnect by MacRemover? The Elgato EyeTV device these applications are supposed to support was retired several years ago, and such network activity by EyeConnect.app was not. The Elgato EyeConnect is a UPnP (Universal Plug ‘n’ Play) streaming media server that runs on a Mac and is capable of streaming video, audio, and images to an HDTV via any UPnP or DLNA (Digital Living Network Alliance) compliant device, such as a Blu-ray player that can stream Internet content. This tutorial contains an automatically removal solution, a manually removal solution and a video is provided which teach you how to remove EyeConnect by MacRemover. This is an effective tutorial that helps you learn how to remove EyeConnect on your macOS and Mac OS X. ![]() ![]() At Soundcore we even have some special presets made by our Grammy award-winning producers. With that being said, there are some fairly well standardised preset EQs for specific types of music. ![]() What sounds good to you may sound like complete garbage to someone else. Something important to bear in mind is that when you’re adjusting sound levels at such an intricate level, the results are often very subjective. To suit the music: If you’re into hip-hop or EDM, an EQ setting that emphasises bass could enhance the beat.To suit audio equipment: Do you have some new headphones that you really love, but they lack a touch of treble? Add it yourself!.Personal taste: Maybe you prefer your music with a touch more bass.So the natural question is, why would anyone want to change that stuff? Here are a few reasons: A ‘Treble Boost’ would be the same on the right-hand side, and ‘Balanced’ would mean that no sliders were moved at all. To recreate that on an equalizer like the one above, you can just shove the sliders on the left-hand side to the top. Perhaps the most common preset EQ setting that we see is ‘Bass Boost’. Conversely, moving a slider downwards will reduce the volume. As you move a slider towards the top, the system will increase the volume of sounds at this frequency. Sounds with a low frequency (the numbers towards the left) are bass sounds, high frequencies (towards the right) are treble. ![]() The numbers along the bottom (and top on in the picture above) denote frequencies. ![]() You might know that it does something to the sound, but what exactly are you doing when you move the sliders up and down? You’ve probably seen one of these before, whether it was on a physical Hi-Fi system or in the settings menu of a music player on your phone or computer. W-n5g_wYGUcfN81qTTh_Jg2gMuA80h0Bpe5tRYxo_84SIiBD4eUof0qDMRSRisBL91xJNZzWgcpDE7cSnt0m3jTarbkiVogx8vVxrtr2FLuYDB9SDI9UqLFfCCffdgNcQtj9XXhK.jpg 1600×941 752 KB ![]() ![]() It was at that moment that I knew that Lil Peep wasn’t necessarily “the future” of emo, but rather the blunt, hedonistic, and honest evolution of emo and rap respectively that each genre more than desperately needed. This moment on the record comes from former member of the indie-emo powerhouse Tiger’s Jaw passing off the song to his then-emo-rap protege Lil Peep, as Adam Mcillwee (now known as WICCA PHASE SPRINGS ETERNAL) and Peep share one line together as a mantra in the impeccably produced “Absolute in Doubt” as the song transitions from WICCA’s half into Peep’s, with the line further emphasizing the song’s theme of an unstable relationship, the two are heard belting out ”It wasn’t something that I thought about, but knew that you were absolute in doubt”. While it’s still debated if Lil Peep was truly “the future of emo” as dubbed by Pitchfork, I think there’s one moment that you can see clearly of the torch being passed. ![]() While it may seem like Peep is promoting all of the wrong things, what people don’t seem to realize is that he never condones it it’s almost as if he’s telling the listener to not make the same mistakes as he did, which eventually led to his untimely death just over a year later. More notably though perhaps, is that he never conveys a sense of giving up when singing/rapping about any of these topics, and that only aids the sense of triumph found in moments all throughout the record. For example, there’s a borderline “Wonderwall’ cover (and hear me out on this one) in the shape of “Yesterday,” where he paints a bleak picture of getting out of a toxic environment with the chorus ”Change my name, shave my head // Tell my friends that I’m dead, run away from the pain // Yesterday is not today, it’s not the same,” that winds up adding to the source material more often than it taking away anything. Whether it’s through the haunting coke lines on “Lil Jeep” and the Radiohead-sampled “Falling 4 Me”, or through the ambitious glimpse into the future that initially got him signed in the first place with the Smokeasac-produced signature track “Nineteen”, he flips blatant samples and turns them into his own songs. 1, one of the most consistently asked (and answered) questions that would be thrown at Peep usually teetered around the lines somewhat of ”aye Peep, love what you’ve been doing with your past couple of projects man, but what’s the deal with that massive Crybaby tattoo you got on your forehead?” To which, he would typically answer, “I got the Crybaby tat to keep me grateful, to remind myself that even if I’m going through a lot, there are kids across the world that don’t even have clean water or know when their next meal will be, so I got it to remind myself that I need to be grateful for what little I have, and to keep pushing through for those who can’t.” With this context now surrounding the whole ethos of this project, it seems fitting that the whole mixtape essentially focuses on Peep’s hopes, dreams, and overcoming the emotions that ever so powerfully bled through nearly every song on here one way or another. In interviews that followed the release of crybaby, and even afterwards during press runs for HELLBOY as well as Come Over When You’re Sober Pt. While some argue that he overstated a lot of his mental health issues and drug usage as being part of the aforementioned vanity/hedonism associated with Peep, it’s when you start reading in between the lines of crybaby that the vulnerable truth starts to come to an ethereal, yet somewhat unsettling fruition. ![]() At first, my surface-level thought was something akin to “jesus christ, these SoundCloud musicians are really taking liberties with these face tattoos huh,” but once the mixtape bearing the same name dropped just a couple of months later, all preconceived notions of vanity and hedonism that I had previously associated with Lil Peep had almost dissipated entirely. ![]() By the time Tracy’s (fka “yung bruh”) bass-blown hook smashes through the speakers, I still couldn’t help but be fixated on the massive “Crybaby” tattoo that now rested on half of Peep’s forehead. A bold yellow Toytota FJ Cruiser then pulls up, with two figures jumping out of the backseat, and without missing a beat, a newly tatted up Lil Peep begins his verse. Whenever the video for “white tee” dropped, I wasn’t sure what to expect with the blatant Postal Service sample bleeding in the background with Nedarb Nagrom’s signature production being the only slight alteration to the beat. Review Summary: i'll be inside, i'm making music to cry to. ![]() ![]() I mean, I don't let go of it at any stage - I perform some of it myself, I conduct it myself, I get involved in the mixing - and it's very satisfying to do that. What I particularly enjoy about composing is the fact that you see it through from absolutely nothing on the sheet of paper to the finished product. ![]() "No, I consider that to be all part of the same process. It's got to be the best thing."ĭo you prefer composing to actually making the music? ![]() I think that if you can make your living as a composer you're probably the luckiest person in the world. I suppose nowadays I do more composing than anything else. The balance between those categories has changed throughout the years, really. "Well, that very much depends on which project I'm working on at any particular time. Tools Of The TradeĬomposer, musician, arranger, producer in what order do you see yourself? Anne's husband, Roger, is the engineer on all of her projects, as well as her artistic sounding‑board. Now comes Ancient and Modern, a project which sees Anne Dudley returning to her classical roots and exploring the English choral tradition by way of a choir and a 50‑piece orchestra, with modern embellishments of traditional hymns courtesy of state‑of‑the‑art recording technology. Televison themes and scores for films such as Buster and The Crying Game have won her widespread acclaim, while the album Songs From the Victorious City, her 1990 collaboration with Killing Joke singer Jaz Coleman, won critical plaudits for its ambitious combination of Arabic music with Western pop. I never have the slightest idea as to who's going to listen to the music or enjoy the music, and so it's always a delight to me when people do like it. Collaborations with Duane Eddy ('Peter Gunn'), Max Headroom ('Paranoimia') and Tom Jones ('Kiss') all made the charts, while tracks such as 'Moments In Love', 'Beat Box' and 'Crusoe' provided a kind of blueprint for the remixology age, but soon it was time for Anne Dudley to move on once again. ![]() Other mid‑'80s arrangements included Wham's 'Everything She Wants', Paul McCartney's 'No More Lonely Nights', and some of the tracks on his Press To Play album, while the association with Trevor Horn also led to the founding of Art of Noise, whose pioneering, innovative use of sampling had a wide‑ranging influence that is still evident in much of today's hi‑tech music. At around the same time, she began the professional relationship with producer Trevor Horn that continues to this day, and it was as part of Horn's 'A Team' that she arranged tracks such as ABC's 'The Look of Love', Frankie Goes To Hollywood's 'Two Tribes' and Malcolm McLaren's 'Buffalo Gals' (which she also co‑wrote). Her training had provided her with a diverse understanding of the traditional, the avant‑garde and the popular, and her fascination with the immediacy of pop's creative process led her to become a session keyboard player and arranger. However, disliking what she viewed as the very narrow approach towards classical composition, Anne felt more drawn towards pop music. Richard Buskin talked to her about her musial history and forthcoming album.Ī composer, musician, arranger and producer, Anne Dudley originally gained a Performer's Diploma, Bachelor of Music Degree and the B Music Prize for the highest marks in her year at the Royal College of Music, before then acquiring her Masters Degree at Kings College. ![]() But she refused to be confined by the boundaries of pop, and has since exercised her considerable talents in album arranging and composing for film and TV. Anne Dudley first came to fame as one of the shadowy figures behind the seminal Art of Noise. ![]() ![]() I knew it was meant to be humor if someone I thought of as a man appeared dressed as a woman. By comedians, by entertainers, by brave friends who were afraid and still did what they had to do anyway. Most of us, maybe even more now than back then, still do. As a kid, I was watching a lot of men and women in gowns on television. ![]() If I’m remembering correctly, this was among the things that came to us in Maine in the ’70s or early ’80s with cable, most likely on some PBS channel.ĭrag of this kind was uncontroversial and all around me back then. I watched the show with my dad, and it was a special treat, happening only on the nights when he’d let me stay up with him to laugh at these British people and their jokes about sexism, sex, and social gaffes. For those of you too young to know, he was a British comedian whose shows ran in the U.S. My first drag-queen story hour was probably The Benny Hill Show. And yet maybe it was my father dressed as a fortune teller, with one hoop earring and a kerchief on his head, reading palms in a tent for the Portland, Maine, chapter of the Rotary’s fundraiser.īritish comedian Benny Hill, 1954 Express // Getty Images Was it Bing Crosby and Danny Kaye singing a duet in the musical White Christmas? Or Julie Andrews in Victor/Victoria? Barbra Streisand in Yentl? Harvey Korman on The Carol Burnett Show? Or Jim Bailey as Barbra Streisand, also on The Carol Burnett Show? I loved the variety shows of the 1970s and ’80s, and a performer in drag was not an unusual treat. Lately, I have been trying to think of when I first saw someone in drag. I used to think I was alone in such experiments until I wrote about them and learned that I was not. I wanted that power too-the command over someone’s attention. Who was I imitating when I was 11, dressed in my grandmother’s old nightgown, telling my cousins they should call me Penelope? Who was I imitating when I began to sneak into my mother’s bathroom to experiment with her makeup? It felt powerful to see her alter the color of her lips or to darken the edges around her eyes and eyelashes. I n an accompanying portfolio photographed by Ryan McGinley, seven of today’s most vital and creative queens speak about what drag means to them. ![]() But for practitioners of the art, it’s not just about putting on a show it’s about finding truth, community, and freedom.įor Bazaar ’s July digital cover story, Alexander Chee explores the ways in which drag has always been a part of our culture and what’s at stake when gender expression is demonized, politicized, or, worse, criminalized. RYAN McGINLEYĪround the country, drag performers are under threat, thrust to the center of a culture war. Jewelry, talent’s own jewelry and Swarovski. ![]() ![]() ![]() ![]() Park lighting is also important for safety reasons well-lit areas are more visible and therefore more likely to be avoided by potential criminals. Park lighting, though aesthetic, can also help deter crime, make the park more inviting and help people find their way around. Parks need commercial outdoor lighting for many reasons. And with modern developments in architecture, factories and warehouses don’t look like they used to you can use lighting to enhance the appearance of your workplace and make it more welcoming to employees and your business associates. Industrial and Factory Lighting Outdoorsįactories, warehouses and other commercial businesses that are open in the evening need outdoor lighting to keep workers and products safe. A well-lit parking lot is an important part of any commercial outdoor lighting plan. Good lighting makes it easier for people to find their way to the entrance of a business, and it also deters crime. Parking lots need commercial outdoor lighting for safety and security purposes. Like most commercial businesses, strip malls have large parking lots that can benefit from an in-depth, planned lighting scheme that goes above and beyond normal street lights. Most strip malls have a common area that needs to be lit for safety and security, as well as to make the area in front of stores walkable when the sun goes down. But crime aside, a store that’s well-lit in the evening is attractive, and it makes people want to come inside. Proper outdoor lighting around the store’s perimeter will also help deter crime. A well-lit parking lot will deter crime and make it easier for customers to find their way to your door. Stores need commercial outdoor lighting for both safety and security purposes. You can also use landscape lighting to create a relaxing atmosphere in an outdoor seating area or increase the beauty of the space to give people a reason to come inside. ![]() You can use commercial outdoor lighting to accentuate your business’s signage and make it more visible from the street. Salon and Spa LightingĪs with restaurants, first impressions are key for salons and spas. With the right illumination, you can make your restaurant more inviting and increase business. Restaurants need outdoor lighting, particularly around signage and the building’s facade, as well as in the parking lot. In-ground or well lights are placed in the ground and used to highlight features like trees, sculptures and other architectural elements.Path and garden lights are used to illuminate walkways, gardens and other landscaped areas around commercial buildings.They’re typically used for general lighting, accent lighting or task lighting. Surface-mount lights are mounted on the ceiling or soffit (the underside of an overhang) of a commercial building.They can be used for general lighting, accent lighting or security lighting. Outdoor wall lights are mounted on the exterior walls of commercial buildings.Security lighting is used to deter crime and provide a sense of security for commercial businesses.Area lighting is used to illuminate large areas like parking lots, sports fields and other commercial outdoor spaces.They’re typically used to wash a building’s facade with light or to provide security lighting in a parking lot. Floodlights are one of the most popular types of commercial outdoor lighting.The most commonly used types of commercial outdoor lighting include floodlights, area lighting, security lighting, outdoor wall lights, surface-mount lights, path and garden lights, and in-ground or well lights. You need a team of professionals who have been lighting up Dallas landscapes, commercial buildings and other areas for years. One thing’s for sure, though: you can’t trust your commercial outdoor lighting to just anyone. Other businesses, such as stores, industrial buildings, offices and factories, need outdoor lighting for safety and security purposes. For some businesses, like restaurants and clubs, outdoor lighting is essential for providing a welcoming atmosphere and attracting customers. There are many reasons why commercial businesses need outdoor lighting. Why Do You Need Commercial Outdoor Lighting? There are many different types of commercial outdoor lighting, and it’s important to choose the right type for your business. It can be used to draw attention to your building, provide security in the parking lot, or bring in new business as the sun dips below the horizon. Commercial outdoor lighting is an important aspect of running a business. ![]() ![]() If you don't agree with a unit placing, talk it out instead of making a huge argument, huge arguments will result in …Here's a look at a list of all the currently available All Star Tower Defense codes: blamsponge–Redeem for 240 Stardust, 3000 Gems, and 1000 Gold. We consider all aspects, including but not limited to SPA, range, damage, cost, and special effects/abilities.
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